The Big Chill is a 1983 American comedy-drama film directed by Lawrence Kasdan, starring Tom Berenger, Glenn Close, Jeff Goldblum, William Hurt, Kevin Kline, Mary Kay Place, Meg Tilly, and JoBeth Williams.
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Dear Cinephiles,

I remember seeing “The Big Chill” in 1983. The film is about a group of college roommates who get together 15 years later for a weekend following the funeral of their much-admired friend Alex who committed suicide for no apparent reason. The minister at the funeral asks, “Where did Alex’s hope go?” While at the University of Michigan in the late 60s, they had hoped to change the world by becoming activists, civil right lawyers and artists. Now they’re reconciling with how their lives have turned out. Michael who is now a reporter from People magazine describes the weekend to his editor on the phone, “I don’t know, it’s about everything: Um… suicide, despair, where did our hope go? Lost hope, that’s it, lost hope.” At the time when this movie was made, President Reagan had been touting optimism for America. Writer/director Lawrence Kasdan intended this film to be a reaction to that view.

The movie serves as a time capsule for the 80s – yet both the personal and political conflicts at the heart of the movie remain timelessly urgent. How do we reconcile our youthful aspirations and dreams with the choices and compromises we’ve made in our lives? When I first saw the film I was in college – and it served as a warning to never lose track of the dreams and hopes of my youth. As I sit writing this, I realize that thoughts of optimism and hope have been on my mind a lot. And like the characters in this movie, I have used this extended ‘weekend’ I have been given for introspection, evaluation and reconciling. That’s why I wanted to sit and watch it again.

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Kasdan’s writing and directing are warm, funny, poignant and the actors never allow the film to become sentimental. And what a cast! Glenn Close, Kevin Klein, Tom Berenger, William Hurt, Jo Beth Williams, Mary Kay Place, Jeff Goldblum, and Meg Tilly. They all have moments to shine. They were all at the beginning of their careers – and of course they all went on to incredibly successful futures. The soundtrack is probably one of the most iconic music soundtracks ever. It serves as a constant reminder of the 60s – as well as a propulsive force to ignite each scene.

My dear readers, put on “The Big Chill” and never give up hope. Remain optimistic.

Meg: “The last time I spoke with Alex, we had a fight. I yelled at him.”
Nick: “That’s probably why he killed himself… What was the argument about?”
Meg: “I told him he was wasting his life.”

Love,
Roger

The Big Chill
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Directed by Lawrence Kasdan
Written by Lawrence Kasdan, Barbara Benedek
Starring: Tom Berenger, Glenn Close, Jeff Goldblum, William Hurt, Kevin Kline, Mary Kay Place
103 minutes

After the shocking suicide of their friend, a group of thirtysomethings reunite for his funeral and end up spending the weekend together, reminiscing about their shared past as children of the sixties and confronting the uncertainty of their lives as adults of the eighties. Poignant and warmly humorous in equal measure, this baby boomer milestone made a star of writer-director Lawrence Kasdan and is perhaps the decade’s defining ensemble film, featuring memorable performances by Tom Berenger, Glenn Close, Jeff Goldblum, William Hurt, Kevin Kline, Mary Kay Place, Meg Tilly, and JoBeth Williams. And with its playlist of sixties rock and R&B hits, The Big Chill all but invented the consummately curated soundtrack.

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About Writer and Director Lawrence Kasdan
Born in Miami Beach, Florida and raised in West Virginia, Lawrence Kasdan attended the University of Michigan with plans to become an English teacher. He soon realized that he enjoyed writing more than teaching however, so instead, he went on to become a copywriter for an ad agency. After winning several awards for his commercials, he moved on to screenwriting, selling his first script, The Bodyguard in 1976 (although it wasn’t made into a film until 1992). His first credit came as one of the writers of the blockbuster Star Wars V: The Empire Strikes Back (1980), and Kasdan made his feature film directorial debut shortly after when he directed his screenplay, Body Heat (1981). The film was a success, and Kasdan went on to direct and co-write The Big Chill (1983). Not only was the film a box office smash, but it earned Academy Award nominations for Best Picture as well as Best Screenplay.

Kasdan co-wrote the screenplay for his next film, Silverado (1985) with his brother, Mark Kasdan. Then in 1988 he co-wrote the screenplay for The Accidental Tourist, based on the best-selling novel by Anne Tyler. The film was well-received and was nominated for four Oscars. In 1991 he teamed up with his wife, Meg Kasdan, to write the script for Grand Canyon. Their teamwork earned them Academy Award and Golden Globe nominations for Best Screenplay.

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He returned in 1994 with Wyatt Earp followed by the romantic comedy French Kiss (1995). Kasdan decided to try his hand at stage directing in the fall of 1995 with John Patrick Shanley’s Four Dogs & a Bone at the Geffen Playhouse, but he later returned to the big screen with the comedy Mumford (1999). He wrote and directed Dreamcatcher (2003), a horror film based on a Stephen King novel and in In 2012, and directed the film Darling Companion. Most recently, Kasdan returned to the Star Wars universe screenwriting for The Force Awakens and Solo: A Star Wars Story. (tribute.ca)

Molding the Ensemble
Before actual shooting was to begin, Kasdan wanted the cast to spend some significant time rehearsing together. As they travelled from California to Atlanta, Georgia and ultimately Beaufort, South Carolina, the actors had nearly three weeks of rehearsal time before the cameras rolled–something extremely rare for a film.

Kasdan wanted to give the cast and crew a chance to work out how they would play their scenes together and get to know each other well enough to achieve the effortless camaraderie that comes with the close long-time friendships depicted in the story. It was a strategy that all of the actors found extremely helpful in making their characters’ relationships believable. “It’s like playing on a wonderful team,” said Kevin Kline at the time, “and it’s fun being part of that team. It’s a sharing, like sharing a victory when you’ve won. There’s a beautiful exhilaration in team play, which is about as apt a parallel as I can make to this ensemble.” (imdb.com)

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At one point Kasdan decided to improvise during the rehearsal period and had this to say about it: “It happened kind of spontaneously. We were working at the house and everyone was in costume and we decided it might be great if we all cooked a meal. That way they’d have to s